(Organic) machinery.
%
A line has two sides.
%
A very small object. Its center.
%
Abandon normal instruments.
%
Accept advice.
%
Accretion.
%
Allow an easement (an easement is the abandonment of a stricture).
%
Always first steps.
%
Always give yourself credit for having more than personality.
%
Are there sections?
%
Consider transitions.
%
Ask people to work against their better judgment.
%
Ask your body.
%
Assemble some of the elements in a group and treat the group.
%
Balance the consistency principle with the inconsistency principle.
%
Be dirty.
%
Be extravagant.
%
Be less critical more often.
%
Breathe more deeply.
%
Bridges -build -burn.
%
Cascades.
%
Change instrument roles.
%
Change nothing and continue with immaculate consistency.
%
Children -speaking -singing.
%
Cluster analysis.
%
Consider different fading systems.
%
Consult other sources -promising -unpromising.
%
Convert a melodic element into a rhythmic element.
%
Courage!
%
Cut a vital connection.
%
Decorate, decorate.
%
Define an area as 'safe' and use it as an anchor.
%
Destroy -nothing -the most important thing.
%
Discard an axiom.
%
Disciplined self-indulgence.
%
Disconnect from desire.
%
Discover the recipes you are using and abandon them.
%
Distorting time.
%
Do nothing for as long as possible.
%
Do something boring.
%
Do the washing up.
%
Do the words need changing?
%
Do we need holes?
%
Don't be afraid of things because they're easy to do.
%
Don't be frightened of cliches.
%
Don't be frightened to display your talents.
%
Don't break the silence.
%
Don't stress one thing more than another.
%
Emphasize differences.
%
Emphasize repetitions.
%
Emphasize the flaws.
%
Faced with a choice, do both.
%
Feed the recording back out of the medium.
%
Fill every beat with something.
%
From nothing to more than nothing.
%
Get your neck massaged.
%
Ghost echoes.
%
Give the game away.
%
Give way to your worst impulse.
%
Go outside. Shut the door.
%

%
Go slowly all the way round the outside.
%
Go to an extreme, move back to a more comfortable place.
%
Honor thy error as a hidden intention.
%
How would you have done it?
%
Humanize something free of error.
%
Idiot glee (?).
%
Imagine a caterpillar moving.
%
Imagine the piece as a set of disconnected events.
%
In total darkness, or in a very large room, very quietly.
%
Infinitesimal gradations.
%
Intentions -nobility of -humility of -credibility of.
%
Into the impossible.
%
Is it finished?
%
Is the intonation correct?
%
Is there something missing?
%
It is quite possible (after all).
%
Just carry on.
%
Left channel, right channel, center channel.
%
Listen to the quiet voice.
%
Look at a very small object, look at its center.
%
Look at the order in which you do things.
%
Look closely at the most embarrassing details and amplify them.
%
Lost in useless territory.
%
Lowest common denominator.
%
Make a blank valuable by putting it in an exquisite frame.
%
Make a sudden, destructive unpredictable action; incorporate.
%
Make an exhaustive list of everything you might do and do the last thing on the list.
%
Mechanize something idiosyncratic.
%
Mute and continue.
%
Not building a wall but making a brick.
%
Once the search is in progress, something will be found.
%
Only a part, not the whole.
%
Only one element of each kind.
%
Overtly resist change.
%
Put in ear plugs.
%
Question the heroic approach.
%
Reevaluation (a warm feeling).
%
Remember those quiet evenings.
%
Remove ambiguities and convert to specifics.
%
Remove specifics and convert to ambiguities.
%
Repetition is a form of change.
%
Retrace your steps.
%
Reverse.
%
Short circuit (example; a man eating peas with the idea that they will improve his virility shovels them straight into his lap).
%
Simple subtraction.
%
Simply a matter of work.
%
Spectrum analysis.
%
State the problem in words as clearly as possible.
%
Take a break.
%
Take away the elements in order of apparent non-importance.
%
Tape your mouth.
%
The inconsistency principle.
%
The most important thing is the thing most easily forgotten.
%
The tape is now the music.
%
Think of the radio.
%
Tidy up.
%
Towards the insignificant.
%
Trust in the you of now.
%
Turn it upside down.
%
Twist the spine.
%
Use 'unqualified' people.
%
Use an old idea.
%
Use an unacceptable color.
%
Use fewer notes.
%
Use filters.
%
Water.
%
What are the sections sections of?
%
What are you really thinking about just now?
%
What is the reality of the situation?
%
What mistakes did you make last time?
%
What would your closest friend do?
%
What wouldn't you do?
%
Work at a different speed.
%
Would anybody want it?
%
You are an engineer.
%
You can only make one dot at a time.
%
You don't have to be ashamed of using your own ideas.
%
